• * Meta
• Introduction

• BACKGROUND
• Abstract
• Five Critical Questions
• Design Process

• PROJECTS : In Progress
• Design Rock City #1
• Graphics Design in the White Cube

• PROJECTS : MFA Thesis
• I Steal From The Best
• The Dialogic Poster, Remixed
• Graphic Design on a White Background
• Two Weeks: Tights Are Not Pants
• Two Weeks: Index Diagram
• Fall 2007 Presentation
• Final Thesis Presentation Slides

• CRITICAL WRITING : Outgoing
• Ffffound: Ffffantastic bookmarking
• Ffffinding Out
• Intellectual Property and Rip-offs
• On "Just", Awesomeness, and ™
• Writing Design Criticism
• Ffffound (round 2)

• WORK : Posters and Printed Matter
• Unfolded Type Poster
• Space Rocks
• Hungry Like The Wolf
• Journalism Panel Poster
• Bookshelf Histogram
• F2 Poster
• OFR Poster
• Pleated Pritzker Prize
• Made in Bunch
• Liquid Truthiness
• CCA Lecture Series Brocure
• Map of My Entire Graduate Study
• Official / Unofficial
• Visiting Designers 2008

• WORK : Posters : RIPPING YOU OFF
• // About This Series
• 178 Aardige Ontwerpers
• Philipe Apeloig
• John Baldessari
• Peter Bil'ak
• COMA Design
• Wim Crouwel
• Laura Dapito
• Experimental Jetset
• Mieke Gerritzen
• Fons Hickmann
• Jenny Holzer
• Susan Kare
• Barbara Kruger
• M/M Paris
• Lisa Maione
• Karel Martens
• Bruce Nauman
• Ed Ruscha
• Stefan Sagmeister
• Werkplaats Typografie

• WORK : Posters : Goodship
• Audio/Video Battle 02
• Biting Styles
• Gashouse Extravaganza
• No Seriously, Get The Fuck Out

• WORK : Video and Motion
• Video Jockery
• Work/Bathroom

• WORK : Web
• Merce.net
• RISD Web Design 2007

• WORK ~ Etc
• CHRISTIAN'S HOUSE 4 RENT
• Let's Get Drunk And Go Shopping
• Executive Decision
• I Close My Eyes
• Crash Report (The Truth)
• VICTORY IS MINE
• Sparklehorse Ponystar
• Misc. posters

• WORK : Type Design
• Hitachino Smallcaps
• Gusset Black
• Hair Alphabet

• BIBLIOGRAPHY and NOTES
• For Further Reading
• Friends and Fellows

© 2007 Alexander Bohn.

• Built with Indexhibit

Visualization of the relative subject matters of my design- and architecture-related bookshelves. From a photograph, each book was traced, and subsequently assigned a color value from a 2-dimensional color matrix according to its content. Final poster was a 24x36" digital print (Ultrachrome inkjet on Epson Somerset Velvet fine-art paper).